3 edition of Practice-as-research in performance and screen found in the catalog.
Practice-as-research in performance and screen
Includes bibliographical references and index.
|Statement||edited by Ludivine Allegue, ... [et al].|
|Contributions||Allegue Fuschini, Ludivine.|
|LC Classifications||PN1576 .P73 2009|
|The Physical Object|
|Pagination||vii, 260 p. :|
|Number of Pages||260|
|LC Control Number||2009045184|
Broadly speaking, practice as research is an attempt to see and understand performance media practices and processes as arenas in which knowledges might be opened. The institutional acceptance of practice as research in the higher education sector acknowledges fundamental epistemological issues that can only be addressed in and through theatre. PRACTICE AND PRACTITIONERS. Practice-as-Research In Performance and Screen Edited by Ludivine Allegue, Paris 1 Panthéon-Sorbonne University, France, Simon Jones, University of Bristol, UK, Baz.
Rethinking Practice as Research and the Cognitive Turn [May, S.] on *FREE* shipping on qualifying offers. Rethinking Practice as Research and the Cognitive TurnCited by: 4. 3 Practice-Based and Practice-Led Research Although practice-based research has become widespread, it has yet to be characterised in a way that has become agreed across the various fields of research where it is in use.
This is the formal reading list for DPaR. Core reading Nelson, Robin. Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan. Essent. Join us on Thursday 21 May to hear from specialist academics, attend live Q&A sessions and find out more about postgraduate study at Kent. Film at Kent is known for its dynamic and inclusive research community. Whether you are interested in theories, histories or aesthetics of film and digital.
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Practice-as-Research: In Performance and Screen presents a thoroughgoing exploration of the major fissures of established knowledge created by a new trans-disciplinary, worldwide project for the twenty-first century. Focussing on the most fleeting and yet pervasive practices of the performance and screen Practice-as-research in performance and screen book, it both documents and analyses the practical-theoretical integration of hands-on.
Get this from a library. Practice-as-research in performance and screen. [Ludivine Allegue Fuschini;] -- This text presents an exploration of the major fissures of established knowledge created by a new trans-disciplinary, worldwide project for the 21st century.
It both documents and analyses the. Practice as research is by now a familiar feature of the landscape of research into performance. Many academics around the world see themselves as engaged in it. But yet hitherto it has remained, I think, somewhat under-theorised, a bit too slippery. We need a full-on analysis in Format: Hardcover.
Of fevered archives and the quest for total documentation Piccini, AA. & Caroline, R.,Practice-as-Research: in Performance and Screen. Allegue, L., Jones, S Cited by: This explains why the book primarily deals with work generated in the UK, although the last three chapters broaden this narrow perspective by examining the PRIP in France, Canada and Australia.
Practice-as-Research in Performance and Screen comprises of a. Aaltonen, E. Bruun: Practice as research in drama and theatre InFormation 66 Vol um e 3, No 1 () interested in undertaking arts-based research projects in a multi-disciplinary fi eld.
Book Review of Practice-as-Research in Performance and Screen (eds. Allegue, Jones, Kershaw and Piccini) and Mapping Landscapes for Performance as Research (eds.
Riley and Hunter). At the performance turn, this book takes a fresh 'how to' approach to Practice as Research, arguing that old prejudices should be abandoned and a PaR methodology fully accepted in the academy. Nelson and his contributors address the questions students, professional practitioner-researchers, regulators and examiners have posed in this domain.
Practice-as-research in performance and screen D'Cruz, GlennPractice-as-research in performance and screen, Australasian drama studies, no. 57, pp. The book offers a much-needed example of fully developed writing in relation to a practice as research (PaR) project. Weaving together theory, documentation and critical reflection, it offers fresh insights into both the process and presentation of PaR work, as well as theories around intermediality in performance, the role and actions of the.
Performance studies is an interdisciplinary field that studies performance and uses performance as a lens to study the world. The term performance is broad, and can include artistic and aesthetic performances like concerts, theatrical events, and performance art; sporting events; social, political and religious events like rituals, ceremonies, proclamations and public decisions; certain kinds.
MODES OF PRACTICE-AS-RESEARCH KNOWLEDGE AND THEIR PLACE IN THE ACADEMY / Robin Nelson; PRACTICE-AS-RESEARCH IN FRANCE, / Ludivine Allegue and Miereanu Costin; TRANSNET: A CANADIAN-BASED CASE STUDY ON PRACTICE-AS-RESEARCH, OR RETHINKING DANCE IN A KNOWLEDGE-BASED SOCIETY / Henry Daniel; PERFORMANCE RESEARCH IN.
PRACTICE-AS-RESEARCH IN PERFORMANCE AND SCREEN. Edited by Ludivine Allegue, Simon Jones, Baz Kershaw, and Angela Piccini.
New York: Palgrave Macmillan, ; pp. + DVD. $ cloth. MAPPING LANDSCAPES FOR PERFORMANCE AS RESEARCH: SCHOLARLY ACTS AND CREATIVE CARTOGRAPHIES. Edited by Shannon Rose Riley and Lynette Hunter.
New York:. It draws upon my own experience in the UK as a producer and academic teaching screen media. InI founded ScreenWork, the first peer-reviewed journal for media practice, in response to a long series of debates about the status of screen media practice-as-research, which took place in the institutional context of the UK’s Research Author: Jonathan.
Dovey. Full text of "Practice As Research In The Arts" See other formats. This book takes a fresh "how to" approach to Practice as Research.
At the "performance turn" it argues that old prejudices should be abandoned and that a PaR methodology and its modes of "doing-knowing" should be fully accepted in the academy.5/5(9). Is part of Book Title Practice-as-research in performance and screen Author(s) Allegue Fuschini, Ludivine Date Publisher Palgrave Macmillan Pub place Basingstoke ISBN.
This field-defining book moves the debate from necessity to celebration of screen production research as elucidation, explication and understanding of human and social interests and conflict—that is, as a mode of enquiry.” (Distinguished Professor Stuart Cunningham, Queensland University of.
Practice research is a form of academic research which incorporates an element of practice in the methodology or research output. Rather than seeing the relationship between practice and theory as a dichotomy, as has sometimes traditionally been the case (see academia: theory and practice heading), there is a growing body of practice research academics across a number of.
At the performance turn, this book takes a fresh ‘how to’ approach to Practice as Research, arguing that old prejudices should be abandoned and a Pa R methodology fully accepted in the academy. Nelson and his contributors address the questions students, professional practitioner-researchers, regulators and examiners have posed in this domain.
This is a book for audiences. It is a book about audiences. It is a book for anyone who watches, is watched, and all the spaces in between. Introducing the idea of performance as a shared transformative experience, this engaging book will help you make sense of the performer/audience interaction in a landscape where boundaries are collapsing.“On the Ethos – and Ethnography – of ‘Creative Indifference’: Discovering the Philosophy of Salamo Friedlaender.” Keynote presented at Performance Philosophy Conference, Prague, Czech Republic.
Kershaw, Baz. “Practice-as-Research: An Introduction.” In Practice-as-Research in Author: Brian Schultis.About the course.
This course will not be accepting applications for entry. If you have an established practice and/or background in performance theory, on the MA/MFA Performance Practice as Research you can take your work to the edges of your specialism(s), exploring untouched ground, establishing new ways of thinking about and doing performance, while pushing the boundaries of your.